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- NOTES on Richard Taylor (1919-2003): Materialism and Personal Identity
- David Bruce: Dante’s Inferno: The Law of Contrapasso”
- Dante's PURGATORY, Canto 20: GAIUS FABRICIUS LUSCINUS
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 27: Guido da Montefeltro”
- NOTES on A.J. Ayer (1910-1989): Advocate of Emotivism, and Brand Blanshard (1892-1987): Critic of Emotivism
- NOTES on Rudolf Otto (1869-1937): The Idea of the Holy
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 12: The Minotaur and the River of Blood”
- David Bruce: John Webster’s THE WHITE DEVIL: A Retelling — Act 4, Scene 2
- Dante's PARADISE, Canto 20: THE ROMAN EMPEROR TRAJAN
- David Bruce: Ben Jonson’s VOLPONE: A Retelling — Act 4, Scene 2
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Daily Archives: March 26, 2019
David Bruce: William Shakespeare’s TIMON OF ATHENS: A Retelling in Prose — Act 3, Scene 6
— 3.6 — The banqueting room in Timon’s house was filled with tables and busy servants as several lords, Senators, and other people entered. Musicians played. The first lord said, “Good day to you, sir.” “I also wish a good … Continue reading
David Bruce: Dante’s PARADISE: A Discussion Guide — “Canto 16: Mars — Cacciaguida’s Florence”
“Canto 16: Mars — Cacciaguida’s Florence” Can Dante properly take pride in having Cacciaguida as an ancestor? Dante takes pride in his ancestor, and he says that he now understands why men on Earth take “pride in noble blood” (Musa … Continue reading
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