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- NOTES on Bertrand Russell (1872-1970): Do We Survive Death? No
- Dorothy Emmet (1904-2000): The Moral Prism
- David Bruce: Dante's PURGATORY: A Discussion Guide — "Canto 30: Forest of Eden — Entrance of Beatrice and Exit of Virgil)"
- NOTES on Richard Taylor (1919-2003): Freedom and Determinism
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 22: Ciampolo of Navarre and Deceived Demons”
- NOTES on Paul Ricoeur (1913-2005): The Metaphorical Process
- NOTES on Walter T. Stace (1886-1967): I am Determined and Free
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 30: The Falsifiers (Impersonators, Counterfeiters, and Liars)”
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 13: The Suicides”
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 32: Caina and Antenora”
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Daily Archives: March 26, 2019
David Bruce: William Shakespeare’s TIMON OF ATHENS: A Retelling in Prose — Act 3, Scene 6
— 3.6 — The banqueting room in Timon’s house was filled with tables and busy servants as several lords, Senators, and other people entered. Musicians played. The first lord said, “Good day to you, sir.” “I also wish a good … Continue reading
David Bruce: Dante’s PARADISE: A Discussion Guide — “Canto 16: Mars — Cacciaguida’s Florence”
“Canto 16: Mars — Cacciaguida’s Florence” Can Dante properly take pride in having Cacciaguida as an ancestor? Dante takes pride in his ancestor, and he says that he now understands why men on Earth take “pride in noble blood” (Musa … Continue reading
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