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- NOTES on Richard Taylor (1919-2003): Materialism and Personal Identity
- David Bruce: Dante’s Inferno: The Law of Contrapasso”
- Dante's PURGATORY, Canto 20: GAIUS FABRICIUS LUSCINUS
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 27: Guido da Montefeltro”
- NOTES on A.J. Ayer (1910-1989): Advocate of Emotivism, and Brand Blanshard (1892-1987): Critic of Emotivism
- NOTES on Rudolf Otto (1869-1937): The Idea of the Holy
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 12: The Minotaur and the River of Blood”
- David Bruce: John Webster’s THE WHITE DEVIL: A Retelling — Act 4, Scene 2
- Dante's PARADISE, Canto 20: THE ROMAN EMPEROR TRAJAN
- David Bruce: Ben Jonson’s VOLPONE: A Retelling — Act 4, Scene 2
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Daily Archives: March 25, 2019
David Bruce: William Shakespeare’s TIMON OF ATHENS: A Retelling in Prose — Act 3, Scenes 4-5
— 3.4 — Two of Varro’s servants and one of Lucius’ servants arrived outside Timon’s house, where they met Titus, Hortensius, and other servants of Timon’s creditors. All of them waited for Timon to come out of his house. Varro’s … Continue reading
David Bruce: Dante’s PARADISE: A Discussion Guide — “Canto 15: Mars — Cacciaguida”
“Canto 15: Mars — Cacciaguida” Why are Cantos 15, 16, and 17 important? In Cantos 15-17, Dante meets his great-great grandfather, who tells him his great mission to accomplish on Earth: to write The Divine Comedy. Cantos 15-17 are the … Continue reading
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