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- NOTES on Richard Taylor (1919-2003): Materialism and Personal Identity
- David Bruce: Dante’s Inferno: The Law of Contrapasso”
- Dante's PURGATORY, Canto 20: GAIUS FABRICIUS LUSCINUS
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 27: Guido da Montefeltro”
- NOTES on A.J. Ayer (1910-1989): Advocate of Emotivism, and Brand Blanshard (1892-1987): Critic of Emotivism
- NOTES on Rudolf Otto (1869-1937): The Idea of the Holy
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 12: The Minotaur and the River of Blood”
- David Bruce: John Webster’s THE WHITE DEVIL: A Retelling — Act 4, Scene 2
- Dante's PARADISE, Canto 20: THE ROMAN EMPEROR TRAJAN
- David Bruce: Ben Jonson’s VOLPONE: A Retelling — Act 4, Scene 2
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Daily Archives: March 19, 2019
David Bruce: William Shakespeare’s THE TEMPEST: A Retelling in Prose — Act 4, Scene 1
— 4.1 — Prospero was talking to Ferdinand and Miranda outside his dwelling. He said to Ferdinand, “If I have too severely treated you, the compensation you will receive makes amends because I have given you here a third of … Continue reading
David Bruce: Dante’s PARADISE: A Discussion Guide — “Canto 7: Mercury — The Mystery of Redemption” and “Canto 8: Venus — Charles Martel”
“Canto 7: Mercury — The Mystery of Redemption” How are Canto 7 in the Inferno, Canto 7 in Purgatory, and Canto 7 in Paradisesimilar and different? The 7th cantos in the three canticles all focus on the greater workings of history: … Continue reading