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- NOTES on Richard Taylor (1919-2003): Materialism and Personal Identity
- David Bruce: Dante’s Inferno: The Law of Contrapasso”
- Dante's PURGATORY, Canto 20: GAIUS FABRICIUS LUSCINUS
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 27: Guido da Montefeltro”
- NOTES on A.J. Ayer (1910-1989): Advocate of Emotivism, and Brand Blanshard (1892-1987): Critic of Emotivism
- NOTES on Rudolf Otto (1869-1937): The Idea of the Holy
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 12: The Minotaur and the River of Blood”
- David Bruce: John Webster’s THE WHITE DEVIL: A Retelling — Act 4, Scene 2
- Dante's PARADISE, Canto 20: THE ROMAN EMPEROR TRAJAN
- David Bruce: Ben Jonson’s VOLPONE: A Retelling — Act 4, Scene 2
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Daily Archives: March 11, 2019
David Bruce: William Shakespeare’s THE TAMING OF THE SHREW: A Retelling in Prose — Act 5, Scene 1
— 5.1 — Gremio stood in front of Lucentio’s house. He did not see Biondello, Lucentio, and Bianca, who were further down the street. Lucentio was no longer disguised as Cambio. Biondello said, “Let us move quietly and swiftly, sir; … Continue reading
David Bruce: Dante’s PURGATORY: A Discussion Guide — “Canto 30: Forest of Eden — Entrance of Beatrice and Exit of Virgil)”
Canto 30: Forest of Eden — Entrance of Beatrice and Exit of Virgil) What is the purpose of the spectacular pageant that Dante the Pilgrim sees in Canto 29? In Canto 30, we find out the purpose of the spectacular … Continue reading
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