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- NOTES on C. S. Lewis (1898-1963): On Obstinacy in Belief
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 7: The Wasters, Hoarders, Wrathful, and Sullen”
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 5: The Lustful”
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 12: The Minotaur and the River of Blood”
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 8: The Boatman Phlegyas and Filippo Argenti”
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 6: The Gluttonous”
- NOTES on A.J. Ayer (1910-1989): Advocate of Emotivism, and Brand Blanshard (1892-1987): Critic of Emotivism
- Dante's PARADISE, Canto 11: SAINT MARRIED LADY POVERTY
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 22: Ciampolo of Navarre and Deceived Demons”
- NOTES on Thomas Merton (1915-1968): What is Contemplation?
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Daily Archives: February 23, 2019
David Bruce: William Shakespeare’s ROMEO AND JULIET: A Retelling in Prose — Act 3, Scenes 3-4
— 3.3 — Entering his cell, Friar Lawrence said loudly, “Come out, fearful Romeo. Figuratively speaking, affliction is in love with you, and you are married to calamity.” Romeo came out from behind a curtain where he had been hiding … Continue reading
David Bruce: Dante’s PURGATORY: A Discussion Guide — “Canto 14: Second Ledge — Envy (Guido del Duca, Rinier da Calboli)”
Canto 14: Second Ledge — Envy (Guido del Duca, Rinier da Calboli) Why doesn’t Dante state his name when asked? Two penitents overhear Dante, and they realize that he is alive because he has told Sapia that he is alive. … Continue reading
