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- David Bruce: Dante's INFERNO: A Discussion Guide — "Canto 3: The Gate of Hell”
- NOTES on C. S. Lewis (1898-1963): On Obstinacy in Belief
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 12: The Minotaur and the River of Blood”
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 5: The Lustful”
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 7: The Wasters, Hoarders, Wrathful, and Sullen”
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 8: The Boatman Phlegyas and Filippo Argenti”
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 6: The Gluttonous”
- NOTES on A.J. Ayer (1910-1989): Advocate of Emotivism, and Brand Blanshard (1892-1987): Critic of Emotivism
- Dante's PARADISE, Canto 11: SAINT MARRIED LADY POVERTY
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 16: The Violent Against Nature (Continued)”
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Daily Archives: February 19, 2019
David Bruce: William Shakespeare’s ROMEO AND JULIET: A Retelling in Prose — Act 2, Scenes 3-4
— 2.3 — Friar Lawrence was up early and was out in a meadow collecting herbs and placing them in his wicker basket. He talked to himself as he looked at the plants around him, “The morning smiles at the … Continue reading
David Bruce: Dante’s PURGATORY: A Discussion Guide — “Canto 8: Prepurgatory — The Serpent and the Two Angels” and “Canto 9: Prepurgatory — First Prophetic Dream and Saint Peter’s Gate”
Canto 8: Prepurgatory — The Serpent and the Two Angels Why do two angels dressed in green (the color of hope) and bearing blunted swords appear at the beginning of Canto 8? As sunset occurs on Easter Sunday, a soul … Continue reading
