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- David Bruce: Dante’s Inferno: The Law of Contrapasso”
- NOTES on Richard Taylor (1919-2003): Materialism and Personal Identity
- Dante's PURGATORY, Canto 20: GAIUS FABRICIUS LUSCINUS
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 27: Guido da Montefeltro”
- NOTES on A.J. Ayer (1910-1989): Advocate of Emotivism, and Brand Blanshard (1892-1987): Critic of Emotivism
- NOTES on Rudolf Otto (1869-1937): The Idea of the Holy
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 18: Panderers and Seducers; Flatterers”
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 12: The Minotaur and the River of Blood”
- David Bruce: John Webster’s THE WHITE DEVIL: A Retelling — Act 4, Scene 2
- Dante's PARADISE, Canto 20: THE ROMAN EMPEROR TRAJAN
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Daily Archives: February 12, 2019
David Bruce: William Shakespeare’s RICHARD III: A Retelling in Prose — Act 3, Scenes 6-7
— 3.6 — A Scrivener, a person who copies documents, looked at a legal document he was holding in his hands. The Scrivener said to himself about the document he was holding, “This is the document containing the charges against … Continue reading
David Bruce: Dante’s PURGATORY: A Discussion Guide — Canto 1: The Island of Purgatory and Cato the Guard
Canto 1: The Island of Purgatory and Cato the Guard What does Dante do at the start of Canto 1 of Purgatory? Dante is starting a new major section of The Divine Comedy— Purgatory— and he invokes the Muses the … Continue reading
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