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- NOTES on Richard Taylor (1919-2003): Materialism and Personal Identity
- David Bruce: Dante’s Inferno: The Law of Contrapasso”
- Dante's PURGATORY, Canto 20: GAIUS FABRICIUS LUSCINUS
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 27: Guido da Montefeltro”
- NOTES on A.J. Ayer (1910-1989): Advocate of Emotivism, and Brand Blanshard (1892-1987): Critic of Emotivism
- NOTES on Rudolf Otto (1869-1937): The Idea of the Holy
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 12: The Minotaur and the River of Blood”
- David Bruce: John Webster’s THE WHITE DEVIL: A Retelling — Act 4, Scene 2
- Dante's PARADISE, Canto 20: THE ROMAN EMPEROR TRAJAN
- David Bruce: Ben Jonson’s VOLPONE: A Retelling — Act 4, Scene 2
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Daily Archives: January 27, 2019
David Bruce: William Shakespeare’s RICHARD II: A Retelling in Prose — Chapter 4, Scene 1
— 4.1 — In Westminster Hall were meeting Henry Bolingbroke, the Duke of Aumerle, the Earl of Northumberland, young Henry Percy, Lord Fitzwater, the Duke of Surrey, the Bishop of Carlisle, and the Abbot of Westminster. Also present were another … Continue reading
David Bruce: Dante’s INFERNO: A Discussion Guide — “Canto 20: The Soothsayers”
“Canto 20: The Soothsayers” Although Dante the Pilgrim makes progress in Canto 19, it does not mean that he will automatically continue to make progress. Dante the Pilgrim really does make progress in Canto 19. He is completely and fully aware … Continue reading