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- NOTES on Richard Taylor (1919-2003): Materialism and Personal Identity
- David Bruce: Dante’s Inferno: The Law of Contrapasso”
- Dante's PURGATORY, Canto 20: GAIUS FABRICIUS LUSCINUS
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 27: Guido da Montefeltro”
- NOTES on A.J. Ayer (1910-1989): Advocate of Emotivism, and Brand Blanshard (1892-1987): Critic of Emotivism
- NOTES on Rudolf Otto (1869-1937): The Idea of the Holy
- David Bruce: Dante's INFERNO: A Discussion Guide — “Canto 12: The Minotaur and the River of Blood”
- David Bruce: John Webster’s THE WHITE DEVIL: A Retelling — Act 4, Scene 2
- Dante's PARADISE, Canto 20: THE ROMAN EMPEROR TRAJAN
- David Bruce: Ben Jonson’s VOLPONE: A Retelling — Act 4, Scene 2
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Daily Archives: January 17, 2019
David Bruce: William Shakespeare’s PERICLES, PRINCE OF TRYE: A Retelling in Prose — Act 5: Prologue and Scene 1
Act 5 — Prologue — John Gower said to you the reader, “Marina thus escapes from the brothel, and it happens that she comes into an honest house, our story says. She sings like an immortal goddess, and she dances … Continue reading
David Bruce: Dante’s INFERNO: A Discussion Guide — “Canto 10: Heretics in Flaming Tombs”
“Canto 10: Heretics in Flaming Tombs” As Dante goes through the Circles of the Inferno, he passes through Circles devoted to punishing incontinence, violence, and fraud. In Canto 10, he passes through a Circle devoted to punishing heresy. Circle 6 … Continue reading
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